Shaffer adapts his play into film, which chronicles composer Antonio Salieri (Abraham) and his plot to ruin Amadeus Mozart (Hulce). Historically inaccurate, but then again… it's not a biography. Even though Salieri knows Mozart is a genius, his jealousy craves the ranting towards Mozart's music, such as the Emporer's (Jones) criticism of one of Mozart's pieces having "too many notes". It appears Forman and Shaffer should have taken their own advice, as the film starts to drag significantly during the second half, mainly due to drawn out opera scenes. As the film comes to an end, the viewer can't help but feel satisfied by, not only a well-told story, but also (and more importantly) the brilliance of music contained in the film. Hulce was extremely critical about playing music, with musical scholars complimenting that every note of music matches that seen on screen, which is both a film and musical triumph!
No comments:
Post a Comment