Ahead of its time for its content, unconventional story structure, false protagonist and the presence of a toilet, Hitchcock's genius direction and Herrmann's chilling score is still gripping as many people today as it did in 1960. Janet Leigh is graciously brilliant in her role as an ordinary woman who is suddenly on the run for making a spur-of-the-moment snatch of $40,000 ($318,875.14 when adjusted for inflation), and Anthony Perkins is without a doubt equally memorable as the underwhelming, well-mannered, codependent manager of the Bates Motel. One has a fair argument at accusing the final sequence of telling-not-showing, but why pry at it when every scene before it meets the definition of perfection?
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